književnost, lingvistika, historija, komunikologija
Postmodernist Games of Recognition in the Novel “Imotski Kadija” by Irfan Horozović
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Keywords

postmodernizam
identitet
subjekt
dijalog
dekonstrukcija
suplement
logocentrizam
falocentrizam
drugi (kao nesvjesno)
žudnja
mauzealnost
mise-en-abyme
intertekstualnost
metatekstualnost
parodija
metafikcija
ogledalo
fragmentiranost

How to Cite

Mezit, E. (2009). Postmodernist Games of Recognition in the Novel “Imotski Kadija” by Irfan Horozović. ISTRAŽIVANJA, 4(4), 271–281. Retrieved from https://www.istrazivanja.ba/index.php/istr/article/view/322

Abstract

This paper interprets a novel called Imotski kadija by Irfan Horozović in the light of postmodern poetics which showed up as a rich soil for its reading. Iťs a nove! which reinterprets the ballad Hasanaginica, but in its narrative tissue introduces conversation with many other texts and cuitures. Identity of Imotski kadija is a postmodern dispersed identity. Its subjection doesn't imply a subordination to the society. A woman is shown from the position of phallocentrism, but there is also a criticism of logocentrism in the novel. History is a place for a „short story“, which isn't whole, but fragmented. The novel characterizes a distinety „awaked“ epistyle, and presence of metatextual signals. Typical postmodern terms such as identity, subject, dialogue, deconstruction, supplement, logocentrism, phallocentrism, others (like unconscious), desire, mise-en-abyme, intertextuality, metatextuality, parody, metafiction, mirror , fragmentation, irony háve their basis in the text and they are necessary for its understanding.

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